Medusa is a non-profit nomadic collective based in Brussels that aims to stimulate cultural exchanges and promote new emerging artists. Serving as a platform, Medusa’s main objective is to provide the means upon which new conceptions within the current cultural landscape can flourish. Medusa strongly believes that artistic innovations emerge through dialogue, cross-over and collaboration.
TEAM
Medusa is currently run by Tim Evers, Saskia Smith, Egon Moles Le Bailly & Lisa De Meyer. Anna De Wandeler is their legal advisor. Medusa was founded by Sacha Verleyen & Noa Verkeyn.
EXHIBITIONS & PROJECTS
We’ll Get There When We’ll Get There
Are We Nearly There Yet?
The Airbag Generation
A Regular Day Elsewhere
Now I Can Play Louder
Table d’hôtes
My Homies
Indigo Deijmann Loves Robert Pattinson
The Future in a Fossil
State of Flux
𝓘n the Cold Breeze of a New Earth
Hoogte Lengte Breedte (w/ Lina Ejdaa)
Gather Like Dust (w/ BOX22)
SORRY
Lemme
Phase
Are We Nearly There Yet?
The Airbag Generation
A Regular Day Elsewhere
Now I Can Play Louder
Table d’hôtes
My Homies
Indigo Deijmann Loves Robert Pattinson
The Future in a Fossil
State of Flux
𝓘n the Cold Breeze of a New Earth
Hoogte Lengte Breedte (w/ Lina Ejdaa)
Gather Like Dust (w/ BOX22)
SORRY
Lemme
Phase
REGISTERED OFFICE
Medusa Offspace VZW Michel Zwabstraat 20 (7) 1080 Sint-Jans-Molenbeek registration number 0787.962.276 RPR Brussel
Website ©Saskia Smith
SORRY
04 Mar — 07 Mar 2021, Brasserie Atlas, BrusselsTom Król
Tom Król is a German painter currently living and working in Cologne. He graduated in 2017 from the University of Design in Offenbach am Main. “SORRY” marks the reunion of his “Heads”, a series which, through painterly gestures, toy with the unstable contours that make up a face. Tom Król’s distinctive approach to portraiture flirts with our sense of pareidolia—the brain’s natural inclination to deceptively perceive familiar forms, such as that of a face, from minimal visual cues in unrelated objects. Whilst abstract shapes in themselves can only do so many things, Tom’s Heads do more upon perception. Hovering on the brink before abstraction fully takes hold, pareidolia bails out a familiar face from complete abstraction. Between chaos and clarity, Król’s Heads wink at us—half-formed, half-found—teasing the mind’s urge to turn the unknown into something familiar.