04.04.2025
The Musicologists & Maison Caca
Medusa is a nomadic, Brussels-based collective that supports artistic exchange platforming new emerging artists.
Medusa is currently run by Tim Evers, Saskia Smith, Egon Moles Le Bailly & Lisa De Meyer.
Anna De Wandeler is their legal advisor.
Medusa was founded by Sacha Verleyen & Noa Verkeyn.
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On behalf of the invitation of Les Brasseurs in Liège, Medusa presents Indigo Deijmann, (b. 1997, NL) who’s work is fuelled by an obsessive crush on Robert Pattinson lingering from her teenage years. As passionate fandom often entails unreachable desires, Indigo’s work copes with the unattainability of her personal Robert-fantasies. Yearning love letters, fanatic paintings and miniature models of a “Robert Pattinson museum” materialise her longing in the attempt to make fantasy reality.
The virtine at Les Brasseurs showcases the expanding horizon of Indigo’s fandom as her “Robert Pattinson museum” grows to new life-size proportions.
I love Robert Pattinson
because of his need for intenseness.
I love Robert Pattinson
because he said this quote:
“Sometimes just when I say hello the right
way, I’m like, ‘Whoa, I’m so cool.’”
I love Robert Pattinson
because of his insecurity and
his need to share those.
I love Robert Pattinson
because of his laugh.
I love Robert Pattinson
because of the way he ‘styles’ his hair.
I love Robert Pattinson
because he doesn’t have a sense of time.
I love Robert Pattinson
because of his chaotic energy.
I love Robert Pattinson
because of his face, the most
gorgeous man I ever saw.
I love Robert Pattinson
because the way he talks with many
heavy sighs and nervous laughs.
I love Robert Pattinson
because of his role in Twilight.
I love Robert Pattinson
because he is disarmingly honest.
I love Robert Pattinson
because of his insecurity and
his need to share those.
I love Robert Pattinson
for the way the acted
in High Life.
I love Robert Pattinson
because he needs a lot of words
to describe something small.
I love Robert Pattinson
because he thinks he is going to
get fired or dropped off the movies
that he is playing in.
I love Robert Pattinson
because of his role in Good Time.
I love Robert Pattinson
because he lies a lot, and I do too.
I love Robert Pattinson
because he is disarmingly honest.
I love Robert Pattinson
because of his role in the lighthouse.
I love Robert Pattinson
because he is not vain.
I love Robert Pattinson because
he seems nervous all the time.
I love Robert Pattinson
because of his role in Cosmopolis.
I love Robert Pattinson
because he wants to be Jack Nicholson
I love Robert Pattinson
because he doesn’t have a sense of
personal hygiene, I like dirty boys.
I love Robert Pattinson
because he said that he is a romantic guy.
I love Robert Pattinson
because he read “Demon Lovers:
Witchcraft, Sex, and the Crisis of Belief”
by Walter Stephens.
I love Robert Pattinson
because of how he is in the Harry Potter movie.
I love Robert Pattinson
because of his role in The Rover.
I love Robert Pattinson
because he is very charming,
and I know everyone can see that.
I love Robert Pattinson
because he makes me feel good by watching him.
Banalities are inflated to grandeur. With iterative citationality, Indigo Deijmann worships the asymmetrical love relation that hyper-fandom inevitably entails through words of love that are destined to be unreturned by Robert himself. Indigo contributes to the unhinged honour of a media-driven image, hiding the real Robert Pattinson of flesh and bones behind a sacralised celebrity facade. In her ode, she articulates a truth beyond the one-sided romantic affair: Robert Pattinson is, by all means, the product of a collective process, and Indigo’s personal fantasy is at one and the same a social one.