Medusa is a non-profit nomadic collective that aims to stimulate cultural exchanges and promote new emerging artists. Serving as a platform, Medusa’s main objective is to provide the fertile soil upon which new conceptions within the current cultural landscape can flourish. As Medusa strongly believes that artistic innovations emerge through dialogue, it places an emphasis on collaboration as a means to constantly evolve the discourse of artistic and cultural engagements. 
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EXHIBITIONS / PROJECTS

A Regular Day Elsewhere
Now I Can Play Louder
Table d’hôtes
My Homies
Indigo Deijmann Loves Robert Pattinson
The Future in a Fossil
State of Flux
𝓘n the Cold Breeze of a New Earth
Hoogte Lengte Breedte (w/ Lina Ejdaa)
Gather Like Dust (w/ BOX22)
SORRY
Lemme
Phase

FEATURE PROJECTS

Rundgang Curator Picks: Medusa
Emergent Magazine (w/ Rinus Van de Velde)
Cendar Brussels by Galerie Zotto (w/ Sam Evers)

current TEAM

Tim Evers
Saskia Smith
Lisa De Meyer
Egon Moles Le Bailly
Anna De Wandeler

previous members

Sacha Verleyen 
Noa Verkeyn

CONTACT & SOCIALS

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©Saskia Smith

REGISTERED OFFICE

Medusa Offspace VZW
Michel Zwabstraat 20 (7)
1080 Sint-Jans-Molenbeek

        registration number

0787.962.276 RPR Brussel



"Now I Can Play Louder” staged the synergy between Brussels-based electric guitarist Dviance @dviance (1997, Lyon FR) and Brussels-based (musical and visual) artist Tristan Bründler @tristan.brundler (1996, Paris FR).
    Dviance and Tristan share a curiosity on how intense transcendental feelings were fantasised upon by humans in all periods of history — but more specifically, how deep feelings of trance or ecstasy have been regarded as “the intervention of a divine being”. Through a dialogue between a billboard scenery and reverberant live music (downreaching electric guitar sounds and heavy haunting melodies) “Now I Can Play Louder” aimed to evoke an experience that drives a synchronal impression of the celestial.
    The scenographic-music performances took place in the Old House of Kunsthal Ghent on 26th of May. The billboard was made by Tristan himself and covers an old fresco to serve as its protection from skaters that now populate the chapel-turned-skatepark.